Director Laura-Lynn Petrick’s Lempo brings a chilling and intimate story to life on familiar northern waters. Childhood friends Shaun and Annie reconnect at neighbouring cabins, only to be forced to confront an ominous figure tied to Annie’s family history.

‘Tis the season for festivals, fun, and folk music, and Mt. Joy’s fourth LP, Hope We Have Fun, boasts 13 tracks that sound as good in headphones as they do on a festival stage.

Many of you may know Lights from her 2000s emo pop era; now, while we all may be ready to leave the extreme side bangs behind (if you know, you know), Lights’s new album A6 shows that she is ready to enter a new musical chapter.

My Morning Jacket have come a long way since their debut album, The Tennessee Fire, which was partly recorded in an improvised studio above vocalist/guitarist Jim James’s cousin’s garage. For the Kentucky-bred rock band’s milestone tenth release, they enlisted Grammy Award-winning producer Brendan O’Brien (known for working with Bruce Springsteen and Pearl Jam).

Charles Wesley Godwin’s new EP, Lonely Mountain Town, explores themes of love—be it loving someone, or loving the simplicity of life.

Since the early 2010s, BANKS has been making moody alternative pop hits to wide acclaim; now, she has released her fifth studio album, Off With Her Head, reuniting with longtime collaborators and producers Lil Silva and Sampha.

“They just don’t make music like they used to” is what you might lament, unless you’ve experienced From The Land Of Lakes, the latest album from Loughlin, the band voted best folk group in The Walleye’s Best of Thunder Bay Readers’ Choice Survey.

There’s a reason local trio V3nom have been gaining attention across city stages, but if you can’t make it out to one of their many shows, then this five-song EP is the perfect introduction.

Combining themes of modern human experience and social commentary, The Lumineers’ fifth studio album Automatic is unpredictably layered and emotionally dynamic.

ZZ Ward’s latest release, the blues-infused Liberation, draws breath from childhood sound bites that inspired her earliest musical musings.

Hurry Up Tomorrow, which The Weeknd has said will be his final album, grapples with themes listeners have come to expect—self-destruction, isolation, addiction, lust, and heartache—but this time with a raw vulnerability that, in a lot of ways, feels like our first real peek behind his performing persona.

I’m often unimpressed with the vapidity of contemporary indie rock, but the newest album from Seattle, Washington’s Deep Sea Diver, Billboard Heart, is a notable anomaly. What sets it apart from others of its kind is its attentiveness to the interplay of lyrics, melody, and instrumentals in each song.

Although this tale offers up a distinctly suspenseful and creepy vibe, in the end what surprised me most is the strong underlying theme of mental health awareness, survival, and the resilience of the human spirit.